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Upon This Rock is considered by many to be the
first real Christian rock album. Would you agree?
I can't really tell you if that was the first Christian rock
album or not. I had never heard any. I was a Baptist, and the
only Christian songs I had ever heard were the hymns, Negro spirituals, and whatever kind of songs the gospel quartets sang when they sang in church, and I didn't like that stuff
back then.
So when Elvis Presley came along in 1956, and all those
other boys, I thought, 'That's nothing new. They were just
stealing black church music. They were singing "baby"
when they should have been singing "Savior." My friends
would go to platter parties but they wouldn't go with me to
church, so I wanted to bring church to them. These rock 'n'
rollers were stealing the church's music so I decided to steal
it back.
Back when there was no Christian music scene to
speak of and you were getting out those first few
albums, was it lonely being a one-man trend? Or
have you always felt most comfortable on the outside,
in the role of maverick?
You have to remember
that I was being kept on the outside. It wasn't my idea. I
thought I was part of the church but I kept getting
pushed out the side because my music was totally
unacceptable to certain people. And these people
were in charge of the church culture. They were the focus
point of consensus, and I had no place in their master
plan. I didn't wear a suit and tie. I didn't sit on a stool and sing "Kum Ba Ya." I had long hair and sang street music about Jesus. I didn't consider my songs "rock 'n' roll to the
beat of voodoo jungle drums," you know. I was just a white
boy trying to write modern black music. I didn't even intend it
to be sung by a choir or a gospel quartet. I was trying to write
songs for the people I grew up with, street kids, not conservative evangelicals. I wasn't an outsider or a protest singer. I wasn't so much against anything as much as I was for Jesus.
What do you remember most about the Jesus Movement?
I remember the innocence I felt about it. It wasn't
really declared a movement until Time magazine did
their cover story on it. In 1966-67 a Christian halfway
house opened up in the Haight-Ashbury neighborhood to minister to runaways
and drug problems. I would witness to people, and I
started to meet other Christians who were going up
and down the street talking to people about Jesus. They called us Jesus Freaks. That
wasn't an insult, it was just a description. We didn't imagine ourselves to be of any consequence, socially, except to the individuals we witnessed to. The Jesus
movement was not sophisticated or even very worldly-wise. But the music was something wonderful. Some of it wasn't very good but it was original in that they weren't copying
anybody else, because they didn't know anybody else to copy. It was very sweet, very warm and quiet.